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If you re interested in mastering alternative photo-imaging techniques, this book provides step-by-step directions and stunning examples of a variety of photo-processing and digital negative techniques. 160 pages 8 1/2 x 10 1/2 Softbound
- Sales Rank: #195093 in Books
- Brand: Watson Guptill
- Published on: 2002-10
- Released on: 2002-05-01
- Original language: English
- Number of items: 1
- Dimensions: .57" h x 8.68" w x 10.54" l,
- Binding: Paperback
- 160 pages
From Library Journal
When Enfield began painting on the surface of her photographs in 1984, she was told she couldn't mix oil and water. The same spirit that allowed her to find a way to do just that infuses this book with creative rebelliousness. She developed a style of fusion photography that uses everything from the oldest techniques of photography through the latest digital formats. Enfield creates sumptuous, dreamlike images using the techniques of cyanotypes, kallitypes, platinum and palladium prints, ink jet transfers, tintypes, Polaroid transfers, and emulsion lifts. She finds ways of marrying the computer and the darkroom. For a similarly creative approach using solely digital methods, see Janet Ashford's Start with a Scan: A Guide to Transforming Scanned Photos and Objects into High-Quality Art. Highly recommended for advanced photographers.
Copyright 2002 Reed Business Information, Inc.
Most helpful customer reviews
38 of 39 people found the following review helpful.
It's about time...
By Christina Z. Anderson
I've seen Jill Enfield's work frequently in magazines and books, and was thrilled when I found out she was writing her own text. I teach experimental photography at a university, so any book of this nature that comes on the market, I buy. When this came in the mail from Amazon.com (promptly, I might add) I was impressed. Watson Guptill knows how to lay out a textbook so that it appeals to the reader, and is well supported by images, not only with examples of the processes but with "how to" pictures, also. It is user friendly, especially for those who are somewhat newer to the photographic medium and experimental in nature. That said, I learned new things (e.g. the chapter on tintypes) that I will use in my experimental photography class!
These topics are included: black and white infrared, liquid emulsion, enlarging negatives for alternative processes, ink jet transfers, polaroid processes, cyanotypes, kallitypes, platinum printing, palladium printing, tintypes, hand coloring, and other stuff. It is a good combination of what are traditionally termed "alt process" (platinum, cyanotypes, etc.) and what are more experimental things to try.
For this type of book the price at Amazon.com is excellent--most books of this caliber range from [$$$].
11 of 11 people found the following review helpful.
Buy this book
By A Customer
Photo-Imaging is beautifully written and illustrated--an essential volume for anyone interested in alternative photographic processes. The writing is clear and simple. Jill Enfield makes it easy to experiment with new photographic techniques. There are lots of helpful tips and hints based on Enfield's extensive experience with alternative processes. I particulary like the detailed supplier information she lists.
While I sometimes wished she had included additional historical and chemical details, it's a minor quibble because this book has carefully distilled the essential information needed to get up and running with each process. This book is a great value considering the low cost and the extensive information included. No fluff or filler--just concise information.
15 of 25 people found the following review helpful.
Winner of 2002 Golden Light Book Awards Best Technical Book
By A Customer
Photo-Imaging by Jill Enfield has received the 2002 Golden Light Book Awards Best Technical Book Award. The award is sponsored by The Maine Photographic Workshops, The International Film Workshops
and Rockport College. A panel of distinguished jurors reviews books and selects those that make a significant contribution to the art and literature of the medium. Submissions are judged on qualities such as writing, editing, photo reproduction, design and printing, and the contents' overall importance to their perspective mediums. The Jury, which reviews all entries, is comprised of several renowned photographers, filmmakers, publishers, writers and editors.
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