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Camera RAW 101: Better Photos with Photoshop, Elements, and Lightroom, by Jon Canfield
Download Ebook Camera RAW 101: Better Photos with Photoshop, Elements, and Lightroom, by Jon Canfield
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The most up-to-date techniques for shooting in RAW format, using the newest features of the latest software
Many serious amateur photographers have trouble getting that "wow" shot from their digital cameras. And they’re discovering that working in RAW (the digital equivalent of a film negative) takes their photographs to the next level, giving them the control they need to get the highest image quality possible. The problem is, while most photographers know how to shoot RAW, they might not understand how to best deal with "RAW captures" to achieve the ultimate goal: producing the best images.
In Camera RAW 101, digital photography and software expert Jon Canfield explains everything you need to know to make the most of RAW captures using the newest versions of Photoshop, Elements, and Lightroom. You’ll find out how to get the most detail from your RAW files–whether it’s correcting shadows and highlights, fixing white balance, or getting rid of noise. You’ll learn how to convert RAW images using both basic and advanced techniques, as well as how to download and organize the images, and put the finishing touches on them after conversion.
Packed with beautiful images, solid instruction, and working examples–including screen grabs and before-and-after contrasts that show each step–this is a must-have for any serious amateur photographer who wants to take better, more creative photographs.
- Sales Rank: #1592341 in Books
- Brand: Brand: Amphoto Books
- Published on: 2009-08-18
- Released on: 2009-08-18
- Original language: English
- Number of items: 1
- Dimensions: 10.40" h x .40" w x 8.00" l, 1.34 pounds
- Binding: Paperback
- 176 pages
- Used Book in Good Condition
About the Author
A consultant for Canon, HP, and Pantone, JON CANFIELD helped develop digital imaging software for Microsoft. He is the author of Photo Finish, Print Like a Pro, and The Digital SLR Guide. He writes the "Output Options" column for Shutterbug magazine, is a frequent contributor to PC Photo, Outdoor Photographer, and Digital Photo Pro, and teaches classes on Photoshop, Elements, and Camera Raw at the Perfect Picture School of Photography (www.ppsop.com).
Most helpful customer reviews
56 of 58 people found the following review helpful.
Good for the uninitiated
By Damien T. Franco
The simple truth is that there are many photographers out there with the capability to shoot RAW but are still shooting JPEG. It's mostly because of the fear that shooting in RAW format will increase their already hectic workflow. Then there's the photographers that just don't really get how much of a difference in flexibility and capability that shooting in RAW can have on the outcome of a digital photograph. If you fall into either of these camps then this book may be just the ticket you need to getting the most out of your images.
No, it's not for everyone. You're really not going to learn much if you already have a solid RAW work-flow, although there were a couple tricks and tips I did pick up that I either didn't know or had forgotten about.
This isn't about how experienced you are as a photographer either, it's about how knowledgeable you are about your work-flow. That's what's important. The better and faster you are at getting your images from your camera to final output the more time you'll spend behind the lens instead of in front of a computer monitor.
While you can get much of this information around the Internet I've always found it much handier to have a book that will take you step by step and to have access to as a reference when it comes to software.
I think our author does a fine job of explaining and showing the capabilities found in Adobe Elements, Photoshop, and Lightroom as RAW work-flow software programs. A pretty good book to get if you aren't already shooting in RAW.
15 of 15 people found the following review helpful.
A deeply flawed book
By Marc Cohen
What this book attempts is admirable -- to introduce digital photographers to the process of using Photoshop to convert RAW images to fully usable formats. But it aims at a broad audience audience of users of so many programs -- Photoshop, Elements, and Lightroom, in all their various versions -- and this is its fatal flaw. For there are differences among these various programs and the many versions thereof, some minor but some very significant, and the book's efforts to distinguish among them are desultory and inadequate.
The book is also extremely incomplete, sloppily put together, and carelessly edited -- like a cookbook whose recipes were never field-tested before being published. Here are just a few examples. The many excellent illustrations showing screen shots of Adobe Camera Raw in action switch from one version of Camera Raw to another, without comment. Up until p. 58 we see one version of Camera Raw, but suddenly on p. 59 there is a shift to a different version -- one that has different control sliders. But there is no comment about this in the text. How is the reader to make sense of this? Which sliders from the first version correspond to which from the second? The author never even discusses the differences between versions. There is only a vague reference to "all versions of Camera Raw" on p. 59 to even hint to the reader that there are many versions of the camera raw plug-in, and that the one the reader is using may not match the illustrations and descriptions in the text. It is left to the reader to make guesses. I suppose that what is called the "Shadows" slider in one version is called the "Blacks" slider in the other, but who knows? And what about the important "Recovery" slider? There doesn't seem to be any corresponding slider in the other version. What is worse, the author doesn't even mention this slider, either in the text or the index. I had to go to my trusty "Photoshop Elements 7: The Missing Manual" to discover that this important control allows you to bring back detail in overexposed highlights without overexposing the rest of the image. How could a careful and responsible author fail to even mention this feature? It boggles the mind.
Pages 156-161 put forward a fascinating procedure for increasing dynamic range, allowing you to salvage a photograph with a compressed dynamic range by in effect combining two images -- one adjusted for shadow detail and the other for highlights. Unfortunately, the procedure does not work. Where it breaks down is on p. 158 where the author tells us to "open the same image [a second time] in Camera Raw" without bothering to mention that after the image was manipulated the first time in Camera Raw, an .xmp file was created recording the raw conversion data for the image. Once that file is created, opening the image in Elements bypasses the Raw Conversion software altogether. I'm sure there's a way around this, but the author never gives us a clue that problem even exists.
Finally, there is almost no discussion of the crucial issue of file formats, which ones to use and when to use them. At various points in the conversion process, one is faced with the question of whether to save one's work as a .jpg, or a .dng, or a .psd (among others). How is the beginning user of raw conversion software supposed to decide this when the issue is not even broached in the text?
So my advice is not to waste your money on this book. For just a few more dollars, you can get Ben Long's excellent "Getting Started with Camera Raw," which is not plagued with the problems that bedevil Canfield's deeply flawed manual.
14 of 14 people found the following review helpful.
Highly recommended for any advanced photo library
By Midwest Book Review
Jon Canfield's CAMERA RAW 101: BETTER PHOTOS WITH PHOTOSHOP, ELEMENTS, AND LIGHTROOM comes from a digital photographer and software expert who explains how to take advantage of the latest versions of Photoshop, Elements and Lightroom to get fine results. Adobe Camera Raw has grown and changed from its original Photoshop CS2 version: this provides a survey of how RAW files are superior, and the techniques involved in organizing and developing RAW images in both ACR and Lightroom. Highly recommended for any advanced photo library.
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