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Music and song are important parts of worship, and hymns have long played a central role in Protestant history. This book explores the ways in which Protestants use hymns to clarify their identity and define their relationship with America and Christianity.
- Sales Rank: #3366290 in Books
- Published on: 2008-11-30
- Original language: English
- Number of items: 1
- Dimensions: 8.63" h x 1.50" w x 5.63" l, .85 pounds
- Binding: Paperback
- 276 pages
Review
"Much of American religion and spirituality has been shaped, defined, and promoted through its hymnody. . . . The subtext for this volume is how immigrants sang their faith in the New World of the U.S. and Canada. The contributions range from the experiences of slaves, women, and Native Americans in the early 19th century through the transplanted experiences of Presbyterians, the linguistic issues of German Mennonites, Swedish Covenanters, and Spanish-speaking Protestants, to the nondenominational radio revivalism of the early 20th century. . . . [S]ignificantly assists in the task of fitting together the historic and cultural pieces of American religious music.""--Journal of the American Academy of Religion (JAAR)"
"A collection organized around an effort to study the hymnody of American Protestant groups in relation to more general issues of religion and society. . . . In all, they make salient points for students of American religion, including to stress the importance of hymnody as an object of study . . . and to emphasize that hymns represent crucial statements of what believers believe and what their religion means to them.""--Journal of Southern Religion"
From the Inside Flap
Music and song are important parts of worship, and hymns have long played a central role in Protestant cultural history. This book explores the ways in which Protestants have used and continue to use hymns to clarify their identity and define their relationship with America and to Christianity. Representing seven groups--Baptists, Presbyterians, Lutherans, Mennonites, Holiness, Hispanics, and Evangelicals--the nine essays reveal how hymns have helped immigrants to establish new identities, contributed to the body of worship resources, and sustained ethnic identity.
Individual essays address the music of the Old-Fashioned Revival Hour, America's longest running and most successful independent radio program; singing among Swedish evangelicals in America; the German hymn tradition as transformed by Mennonite immigrants; the ways hymnody reinforces themes of the Wesleyan holiness movement; the history of "Mercer's Cluster" (1810), a southern hymnal that gave voice to slaves, women, and native Americans; and the Presbyterian hymnal tradition in Canada formed by Scottish immigrants.
Edith L. Blumhofer is Director of the Institute for the Study of American Evangelicals, Professor of History at Wheaton College, and author of "Aimee Semple McPherson: Everybody's Sister." Mark A. Noll is McManis Profesor of Christian Thought at Wheaton College.
From the Back Cover
"This anthology is most original in reaching beyond . . . familiar lines of analysis to approach hymnody from various oblique angles rooted in religious history, sociology, theology, and evangelical studies."--"Mel Piehl, Dean, Christ College, and Professor of Humanities and History, Valparaiso University
"CONTRIBUTORS: Christopher Armstrong, Scott E. Erickson, Daniel Fuller, Philip Goff, Stephen Marini, Katherine McGinn, Barbara Murison, Kay Norton, Daniel Ramirez, and David Rempel Smucker.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Good work for someone interested in North American hymns
By Ansen Plopbundle
Singing the Lord's Song in a Strange land describes the cultural beliefs and lay theology of American Christianity through the use of hymn music. Particularly, it is focused on how immigrants of all different stripes and from different places used (or didn't use), adapted and adopted what they had to work with once they arrived in America, debated whether or not to use the American hymn tradition, and how this affected attitudes towards all of those late Twentieth Century classification schemes (race, class, sex, etc.).
Seeing these are articles by different scholars representing different people groups, I will simply list the people groups that are treated in this book, rather than go into detail about each. The individual people groups discussed are Georgian slaves, women, and Native Americans, Canadian and North American Presbyterians, Swedish immigrants, German and Russian Mennonite communities, Pentecostal and Holiness movements (some of which are actually heterodox or heretical sects, - which is noted), and Latino Protestantism.
This work is a scholarly work, and is likely better suited for someone who is either highly interested in the topic that is willing to be introduced to new names or someone who already knows something of the material. Otherwise it might be a bit dry. However, studying theology from a perspective of music is something that is widely overlooked, especially by systematic theologians. It's often not considered 'real' theology. However, historian Mark Noll has noted that this idea should be put to rest: ". . . evangelicalism is at its best when seen through its hymns" (xiii). The systematics might not like it and might not understand expressing theological truth through song simply because most systematic theologians don't do that themselves. While I come less from an artistic background, this book showed me that ignoring our (evangelical tradition) hymnal tradition is only detrimental.
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