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Understanding exposure, by Bryan F Peterson
Free Ebook Understanding exposure, by Bryan F Peterson
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More than 100 vivid, graphic comparison pictures illustrate every point in this revised classic and can help any photographer maximize the creative impact of his or her exposure decisions. Peterson stresses the importance of metering the subject for a starting exposure, and then explains how to use various exposure meters and different kinds of lighting. The book contains lessons on each element of the exposure-aperature, shutter speed, iso-and how it relates to the other two in terms of depth of field, freezing and blurring action, and shooting in low light or at night. A section on special techniques explores such options as deliberate under- and overexposures, how to produce double exposures, bracketing, shooting the moon, and the use of filters. Understanding Exposure demonstrates that there are always creative choices about how to expose a picture-and that the decision is up to the photographer, not the camera.
- Sales Rank: #338418 in Books
- Published on: 1990
- Number of items: 1
- Binding: Hardcover
- 144 pages
About the Author
Bryan Peterson is the author of the best-selling Learning to See Creatively and writes a photography column "Picture Points," for Popular Photography Magazine. His many photographic awards include the Communication Arts Photography Annual (eight times), Print Magazine's Design Annual (four times), and the New York Art Directors Gold Award. He lives in Seattle and Lyon, France.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great book on exposure
By fran motz
I love the way Bryan Peterson writes his books. They are so down to earth in their explanations. He has also included so much information without cluttering the writing. So many photo books talk way above the normal--just learning-- person. That will cause the person to get discouraged instead of being encouraged in the photography field. I can speak from that first hand. I have purchased books to try to be a better photographer only to find the more I read the more confused I became. The way that "Understanding Exposure" is written, it does not do that. It is written all the way to the end with the basic photographer in mind. It is not to say that more advanced photographers can not gain extra knowledge from this book, by all means they can== with all the hints it is a wealth of information. I love the photo examples along with the settings that were used on the camera. The photos are beautiful.It has sections for shutter speed, aperture,light as well as special techniques and filters. It even has a chapter on film vs. digital. The opening chapter is just that, an introduction to exposure. So many times it is the exposure settings we can not get right and this book will definitely do the job. I have a much better understanding of what the basic terms are and how they are applied. I keep this book handy as there are times I second guess myself and this is a great go back to reference as well. I think if you are a beginning photographer or a seasoned veteran you can still pick up some great ideas from this book
5 of 5 people found the following review helpful.
Inspiring, non-techical
By Anoni Mouse
This book is an enjoyable, quick read. It contains many color plates, accompanied by text, that clearly demonstrate photographic choices such as (esp) depth-of-field, and shutter-speed.
The book frequently presents sets of photographs of identical scenes, taken with automatic and manual camera settings, which are used to explicate the shortcomings of generic one-size-fits-all point-and-shoot (P&S) camera automation that can frustrate artistic intent or expectations. More usefully, the book describes rules-of-thumb approaches using commonly available camera features that can compensate.
Among the book's strengths is motivating why and when to depart from P&S automation. As such, it may be especially useful to folks (like me) who are transitioning from a digital P&S to a more capable camera.
The book content avoids technical details, and offers good tips for an intermediate photographer, most accompanied by useful broad-brush techniques and memorable analogies that I have found helpful in my subsequent picture-taking. The book's focus is on taking "correct-by-design" pictures, with a bias against subsequent manipulation (digital or film), but does skim over such possibilities.
On a negative note, I was somewhat disappointed that the technical specifications on several interesting pictures lacked complete EXIF-type information (usu: lens, ISO, lens/focal length, camera). Among other omissions, this lack makes it difficult to tell when a given photographc was taken with a true full-frame 35mm camera (APS) vs the common digital APS-C format, or something else, entirely.
As an additional nit, the book suffers from its generality: I'd like to have seen more specifics on working through the flaws of a specific, less-capable (digital) camera+lens, as opposed to the approach taken which broadly distinguishes between film vs. digital but avoids details (presumably to avoid offending camera manufacturers).
Finally, as a digital photographer, I definitely would appreciate more information on histogram/values interpretation, better guidelines on what is/isn't recoverable by post-processing, and in general, a slightly less purist approach to the world of fixing up pictures up after the fact.
For folks new to the world of photography, I'd highly recommend this book. For folks with more experience, I'd suggest looking elsewhere (and let me know where!). For Amazon, how about a slightly more sophisticated system that allows reviewers to better express a newbie/intermediate/expert rating?
1 of 1 people found the following review helpful.
Essential For Beginners (and Beginners Only)
By Bulent Celasun
As an advanced enthusiast, I have bought this book after reading quite positive reviews about it here and elsewhere. I was hoping that it would offer a lot that I was missing. Apparently, my expectations were too high.
The book is good in terms of the general writing style, the examples & the explanations. The production quality (paper, typesetting, color separations) are also fine. I believe it contains a wealth of information which are presented nicely and in a logical order. This can make this book (considering its not too expensive price) a very welcome offer for "beginners". For "advanced" users (who might have read similar books before, who were shooting even before the digital age etc.) it has very limited appeal. This is probably fine since the author (& the publisher) probably had the beginners as their potential customers in mind. Unfortunately, this is not even implied by the title...
The book is revised to accommodate some info on "digital" cameras. There is even a short chapter comparing film & digital towards the end of the book. However, digital technology evolves too fast to allow books like this to remain current for more than a year or two. Five years is too much in this respect... The comments on digital approach are offered in a sketchy manner here and there and there is still too much info on film which is used by a minority nowadays. I do use film and I am not criticising the author for including such info. What I am trying to say is that a revised version based on digital camera exposures with additional info on film would be much better.
Peterson makes generalizations thoroughout the book. Most of these are necessary and helpful for the beginners and prevents them from getting confused by details and exceptions. However, he rarely declares that he is oversimplifying things. This can be misleading like his below sentences (from page 68) show: "To produce a background of out-of-focus circles, you must use a wide open aperture. This is the only aperture that is 100 percent circular in shape. All other apertures are hexagonal". The generalizations here are plain wrong. (Readers can see an image with an "octagonal aperture", for example, on page 91).
These criticisms are minor as long as the potential buyer is a beginner since the "basics" of exposure are essentially the same for film and digital. This book provides the necessary information for them in a concise manner. However, for advanced shooters, there is little info here that they might have missed before.
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