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John Shaw's Nature Photography Field Guide, by John Shaw
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An updated bestseller, this book of extraordinarily beautiful photographs of nature contains state-of-the-art instruction on how any photographer can aim for equally impressive results every time a camera is focused on the great outdoors.
Even highly skilled photographers are often baffled by the problems facing them when they work outdoors. But with this exceptional field guide in hand, every photographer—beginner, serious amateur, semi-pro, and pro—can conquer the problems encountered in the field. Using his own exceptional work as examples, the author discusses each type of nature subject and how to approach photographing it. Specific advice and information cover selection of equipment and lenses; how to compose a shot; how to get close ups; and other tips covering a range of techniques to enrich various types of nature photographs.
- Sales Rank: #321259 in Books
- Model: 1035121
- Published on: 2000-10-31
- Released on: 2001-10-01
- Original language: English
- Number of items: 1
- Dimensions: 10.99" h x .38" w x 8.28" l, 1.42 pounds
- Binding: Paperback
- 160 pages
About the Author
John Shaw is the author of many enduring bestsellers, including six previous Amphoto books. His photographs are frequently featured in National Wildlife, Outdoor Photographer, Natural History, Sierra, and Audubon magazines, as well as in calendars, books, and advertisements. He lives in Colorado Springs.
Most helpful customer reviews
177 of 183 people found the following review helpful.
If You Can Buy Only One Book
By Conrad J. Obregon
If you are interested in nature photography and can buy only one book this is the one to buy. For the beginning and intermediate nature photographer this is a complete course under one cover. But even the expert can derive something from the refresher course this book provides.
Shaw begins with fundamentals, with a discussion of the bedrock of photography, exposure. He makes clear in simple steps the relationship between shutter speed, aperture and film speed. Even in this day of high tech cameras that handle all of this information if you let them, anyone who really wants to master photography must understand this relationship so they can lie to the camera. (If you don't know what I mean, you need to
read this book.) At the very least you'll learn when to select aperture, shutter or program mode.
Shaw then goes on to discuss equipment and film, lenses, composition, closeups and working in the field. He even provides a seasonal guide to shooting locations, mostly in the United States.
The book is profusely illustrated with Shaw's photos. How does someone whose prose is so straightforward and concise take such poetic pictures?
At first I was surprised at the amount of space devoted to closeups. I knew that these were a Shaw specialty but I felt that most of the audience for this book would not be that interested in the subject. Then I realized that I felt this way because I didn't know how to do this well in nature. After
reading this chapter I was inspired to journey into the yard to take a Shaw-instructed closeup of a day lily. I was so pleased with what I had learned and applied that the picture now hangs on my wall.
I have a few minor quibbles with some of Shaw's advice. For example he urges the reader to use slide film and gives good reasons. But, particularly in this day of digital imaging, the greater range of color negative film has its uses. I think Shaw could have acknowledged this.
But my quibbles are minor. This book belongs in every nature
photographer's library, even if it is the only one.
14 of 14 people found the following review helpful.
Excellent Book
By rjpryan
Quick summary: excellent - buy it. For more detail, read on.
Possibly the best book about photography I've ever read. It doesn't just describe nature photography, but also goes into many technical details about how to obtain the picture *you* want to obtain. Many of these details are fundamental to all types of photography (exposure, lighting, etc.), so there is something to be gained for everyone.
However, as the title of the book clearly indicates, the bulk of the text is dedicated to photographing in outside lighting - it *is* nature after all - so you might want to consider another book if your primary interest is indoor studio photography.
In terms of experience level, I think anyone from an amateur photographer just starting out to the seasoned pro will find useful tips and anecdotes in this text. I've been using an SLR camera for many years but I'm amazed at how many things I've learned from this book.
One small drawback is that the author only uses Nikon cameras and hence most of the equipment related advice is for Nikon branded equipment. He does occasionally mention Canon equivalents, although the charts and comparisons of sizes, weights, etc. are only for Nikon. Still, I use a Canon camera and found this to be only a very minor annoyance.
The book has so many excellent photographs (185) in it that it would be worth buying for the pictures alone. However, as long as you're buying a book of pictures, why not throw in an excellently written text describing in great detail how the pictures were taken and how to obtain similar results yourself?
It also has all sorts of interesting mini chapters - one is even included on how to take aerial photographs and includes advice on the types of planes and pilots to rent! A section I think I'll find especially handy lists some of the author's favorite shooting locations and what you can find there by month of the year (mainly in the United States).
The book was published fairly recently (2000), but still deals exclusively with film (mostly slide). So those of us using the newer digital SLR's will want to skim past the sections on choosing a film type, push processing your film, etc. However, it's kind of fun to read over these sections and realize how much easier things are now with digital. No more waiting through a whole roll of film to change your ISO, much faster ISO speeds with good results (I frequently use 1600 for macro work with no problem), no need to *buy* film or process, etc. After you've read the book, go out and buy yourself a Canon EOS 20D or equivalent and you'll see what I mean. ;-) The only time I wished the book discussed digital is with regard to the number of stops film can accurately reproduce (about 5). It would have been nice to see the equivalent information for digital, and some sections on digital exposure tips and tricks - but I suppose this is for the next version of the book.
Highly recommended.
16 of 16 people found the following review helpful.
Excellent Introduction to Photography
By GEORGE R. FISHER
Although written for film photography rather than digital, if you need to learn the basics of exposure and lenses and the general process a photographer must go through to take great photographs instead of just snapshots, this is an excellent guide.
The basic fact of the matter is that good photographs are produced in this order
1. Photographer's "eye"
2. Good equipment, handled expertly
3. Post processing
Digital photography differs from film primarily in the last category. This book's focus is on the first two, without which good photography is not possible. Look elesewhere for books on Photoshop, but look here to learn how not to need it so much.
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